Wednesday, 27 February 2013

Papa don't preach

I’m thinking of a Catholic boy, coming of age in 1950s Scotland, having been raised in a culture that conflates sexuality with sin and does its best to keep the lid on both. Unfortunately, for a boy at this time and place, it’s not girls he finds himself attracted to. The practices that invade his imagination are not only associated with profound social shame, they are also punishable by imprisonment. What tempts him is categorised by his own church as one of the 'four sins crying to heaven for vengeance'.

He throws himself into academic work and is eventually drawn to the priesthood. By the time parliament decriminalises homosexual acts between consenting adults in private, he has been ordained and has put that whole complicated issue behind him, taking refuge in a life of celibacy.  He serves as a curate, a teacher, a parish priest. He’s good at his job.

In mid-life he is put in charge of the spiritual development of young men training for the priesthood. Beyond the walls of the seminary it’s a hedonistic time. There are pockets of wild liberation where gay men are indulging their sexual appetites, no longer fearful of judicial punishment and untroubled by thoughts of hell. Is he influenced by this? Or by the knowledge that his life is half over and half his nature lies dormant? Denied the normal comforts and companionship of marriage to which most people eventually aspire, does he find loneliness creeping up on him? Or does his position of unquestioned authority provide an opportunity he simply can’t resist? In the language of his Church, has his job become one continuous ‘occasion of sin’?

Is this a true story, or an outline for a novel by Colm Tóibín?

How about this one? A senior cleric approaching the end of a distinguished and respected career, about to fulfil the sacred duty of voting for the next pope, faces accusations that thirty years ago he made inappropriate advances to four seminarians, accusations that he denies. Now we’re in Philip Roth territory. In The Human Stain, Coleman Silk, a professor of Classics charged with showing prejudice towards two black students, could clear his name by revealing his own deepest secret that he is himself (in a certain ethno-cultural sense) black, though sufficiently light-skinned to pass as white. What if, like Coleman, our senior cleric has it in his power to replace one scandal with another by revealing a long-standing secret – a relationship, for example, consensual and mutually beneficial, with a woman of his own age? In a strange twist, he surprises his conservative supporters by suggesting that the Church should consider allowing priests to marry, a coded intimation of his desire to normalise his private life and finally assert his long-obscured identity.

Perhaps the truth is even more implausible – something Dan Brown might have dreamt up. The whole thing is a conspiracy led by a villainous Italian cardinal with papal ambitions. Our hero is a tough, plain-talking Scot with the rugged good looks of a rugby player, who has made a name for himself by standing up to politicians cravenly seeking popularity with their liberalising agendas, particularly their plans for gay marriage, 'a grotesque subversion' as he sees it. True to form, he opposes the worldly Italian. Whether politically motivated or bribed with promises of advancement, his accusers, like the four assassins of Thomas à Becket, set out to rid their master of this turbulent priest, to neutralise him, at least, for as long as the Cardinals sit in conclave.  

But enough of fantasies and speculations. The important story is of an institution so blind to its own failings that it projects them out into the secular world, condemning the rest of us for our self-indulgence while it covers up its own crimes, a body so damaged by scandal that no one is much surprised by one more accusation, or much impressed by a heated denial or a half-hearted apology. Perhaps some of these many charges are false. But the credibility of the Church is so damaged in this area that, for someone accused, to be a member of its hierarchy makes guilt seem more likely rather than less.

It’s exactly fifty years since the death of the great reformer, John XXIII, who did his best during his brief papacy to bring daylight into the Catholic Church. I wonder if there are enough cardinals interested in renewing that interrupted process. I’m not holding my breath. Meanwhile the Church might concentrate on its strong suits, such as concern for the poor, and leave questions of sexual ethics to ordinary people.


  1. One of the most incisive things I've seen about the mess in the church. Hope you can write all of those novels! Or maybe one grand epic...

  2. Thanks, Dick. I'm glad you liked it. Who knows what might show up in fictional form.